Anna Christie

The Madison Rep:

Following the success of 2005’s A Moon for the Misbegotten, Artistic Director Richard Corley returns to America’s greatest playwright. Winner of the 1922 Pulitzer Prize, Anna Christie is the tale of a mid-western girl who loses and finds her way amid New York’s waterfront bars and barges, and the two men who fight for her body and soul. One of the finest female roles ever written, Anna Christie has been played by actresses as diverse as Greta Garbo, Natasha Richardson, Liv Ullman, and Celeste Holm.

We enjoyed the Rep’s production of Annie Christie. I’m always amazed at how well the actors adopt their character’s language, in this case Swedish and Irish influenced English. Carrie Coon, Lea Coco and Craig Spidle were great. Go.

Lucinda Williams’ Playlist

Winter Miller:

IMAGINE a time before alternative country. Before Americana and roots rock. Picture a corner office, sometime in the early ’80s, with record executives scratching their heads over how to market a talented singer, songwriter and guitarist from Louisiana named Lucinda Williams. Was she country? Folk? Blues? The answer of course was (and is) all of the above. A three-time Grammy winner, Ms. Williams will release “West,” her eighth studio album, on Feb. 13. A tour is scheduled to begin soon after, including a stop at Radio City Music Hall on March 23. Ms. Williams, 54, shows no signs of getting any less sexy with her lyrics or her taste in music. She recently spoke by phone with Winter Miller about what she’s listening to now.

A New Goofy Short: “How to Install Your Home Theater”


Charles Solomon:

It is not surprising that Mr. Lasseter is using short films to train and test the artists: he and his fellow Pixar animators spent almost 10 years making shorts, learning how to use computer graphics effectively before they made “Toy Story” and the string of hits that followed. Pixar continues to produce a cartoon short every year, and has won Oscars for the shorts “Tin Toy,” “Geri’s Game” and “For the Birds.”

Four new shorts are in development at Disney: “The Ballad of Nessie,” a stylized account of the origin of the Loch Ness monster; “Golgo’s Guest,” about a meeting between a Russian frontier guard and an extraterrestrial; “Prep and Landing,” in which two inept elves ready a house for Santa’s visit; and “How to Install Your Home Theater,” the return of Goofy’s popular “How to” shorts of the ’40s and ’50s, in which a deadpan narrator explains how to play a sport or execute a task, while Goofy attempts to demonstrate — with disastrous results. The new Goofy short is slated to go into production early next year.

I’ve long enjoyed short films. Clusty has more.

British Gentry, Fiddling While the Abyss Looms

Charles Isherwood:

The time will soon be ripe for fresh political leadership. With a presidential election just a couple of years away, we need to start looking for viable new candidates, fellows with those outside-the-Beltway views voters are said to cherish.

I’d like to suggest the American electorate consider the merits of Captain Shotover, the straight-talking old salt currently and eternally presiding over “Heartbreak House,” George Bernard Shaw’s comedy about British gentry waltzing toward the apocalypse.

Qualifications? He has military experience and fresh ideas. And he’s not beholden to big business types, whom he colorfully refers to as “those hogs to whom the universe is nothing but a machine for greasing their bristles and filling their snouts.” Which reminds me: He already has a crack speechwriter on staff.

True, the candidate has a few glaring liabilities. The rumors about his alcohol consumption are well founded. But there’s always rehab. The attention span is a little short, but is that such a problem in politics these days? Of course he’s a fictional character too. Considered from all angles, though, that may not be a drawback. Imaginary people can’t send instant messages.

A timely, well done presentation of George Bernard Shaw’s Heartbreak House. Free ebook. Now playing at New York’s Roundabout Theatre. Thanks to the Rep’s Rick Corley for suggesting this play.

Go, Fish! Muskie Love, New Wisconsin-Set Musical, Begins Sept. 20 in Madison

Kenneth Jones:

In Wisconsin, where audiences like their new musicals quirky and with lots of local color, Madison Repertory Theatre opens its season Sept. 20 with Muskie Love — a rare musical named after a freshwater game fish.

Don’t discount the show. After all, this is the same state where the ice-fishing comedy Guys on Ice and the great-outdoors comedy Lumberjacks in Love were smasheroos.

Muskie Love opens Sept. 22. Performances continue to Oct. 15, in The Playhouse at the Overture Center for the Arts.

Loosely based on Shakespeare’s Much Ado About Nothing “is a home grown Wisconsin delight” by the winners of the Richard Rodgers Award, Dave Hudson and Paul Libman, featuring Doug Mancheski and Lee Becker from Madison Repertory Theatre’s earlier Guys on Ice (which was also a hit at Milwaukee Repertory Theatre).

The Rep has a great deal for first time subscribers.

Noting Sarah Ruhl’s MacArthur Fellowship

Madison Rep Artistic Director Rick Corley:

Dear Folks: It was a delight to awaken this morning to the news that Sarah Ruhl was awarded a MacArthur “Genius” Fellowship. These awards are in the amount of $500,000 – one hundred thousand for each year of five years. Sarah is the only playwright to receive the award this year. For new staff and board members, we at Madison Repertory Theatre can take pride in giving Sarah her very first professional production when we produced EURYDICE four years ago. Since then Sarah’s plays have gone on to major productions in Seattle, Atlanta, Berkeley, Chicago, New Haven, and many, many other cities.

This fall her Pulitzer-finalist play, THE CLEAN HOUSE, will have its New York premiere at Lincoln Center Theatre, and there is talk of EURYDICE appearing in New York as well. Bravo, Sarah! And congratulations to all of you who support the Madison New Play Festival and the development of new work. Sarah’s success is a tribute to you.